Hairy Pothead & the Marijuana Stone Review

Hairy Pothead and the Marijuana Stone
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I enjoyed this extremely clever book immensely; it had me laughing out loud at times and I didn't want it to end. Written in the satiric tradition of Jonathan Swift and Paul Krassner, Larsen masterfully blends together the best elements from Harry Potter and The da Vinci Code with Harold & Kumar Go to White Castle. Much more than just a hilarious, sidesplitting parody, this wondrous and brilliantly-devised tale teaches young people about the secret culture of cannabis and psychedelics. The delightful analogies between the hidden worlds of magic and cannabis, muggles and squares, are unusually creative and highly insightful. Filled with lots of unexpected twists and turns, this page turner had me savoring every last word. I can't wait for the sequel!

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The Golden Compass (His Dark Materials, Book 1) Review

The Golden Compass (His Dark Materials, Book 1)
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First of all this is really a review of the trilogy and not The Golden Compass on its own - (I prefer the British title Northern Lights and I wonder why it has a different title in North America?).
Its been a long time since I read a book ostensibly for children, possibly the last time was when I was an actual child unless you count a couple of adult re-readings of Tolkien - but I felt I had to read it to know what the fuss was about - both from the ample praise given to these books by critics and also some of the controversy they seem to have provoked - some of which is touched on in these reviews. And yeah I was impressed - I felt genuinely gripped by the plot and went out and bought both sequels right after reading Northern Lights and read them all in a day and its not everyday I do that. Incidentally I don't want to sound like I'm boasting but the last few books I read included Jorge Luis Borges, Albert Camus and Umberto Eco - all fairly grown up, intellectual authors so the previous reviewer's comment that the only people who'd enjoy this are either children or just stupid is just blatantly untrue. There is so much to admire in these works - the creation of Lyra's world with its alternative version of history, the interesting touch of the daemons and the way they represent the characters' natures, the depiction of the frozen north with its Panserborne and witches etc was just fascinating, along with the other parallel worlds visited over the trilogy (though Lyra's is the most fully realised I think) as was the whole underlying framework of Pullman's universe with its blend of theoretical physics, William Blake, Paradise lost, theology etc - you have to salute Pullman's creativity and imagination here. Neither did I agree with some comments about the writing style which I actually thought was quite good - I didn't have any problems with the characterisation, dialogue, descriptions etc - all a lot better than Tolkien for example IMHO. Having said that the trilogy wasn't perfect - I thought part one was better than the others and part three was perhaps slightly weaker - having created this imaginary universe and built up the plot over the first two volumes I think it was hard for Pullman to bring it all to a conclusion in a way that fully did justice the brilliance of the underlying concepts which is why I'm not giving it five stars. Also there were too many deus ex machina moments where characters were rescued by the excessively timely intervention of some ally. But I really, truly enjoyed reading this trilogy and found several things to ponder on afterwards - if I had read it as a child it would undoubtedly had been one of my all time favourites.
Amazon is not an appropriate forum for political or religious discussion but I am a little saddened and amazed at some of the comments made by some reviewers which if anything unintentionally show just how right Pullman is on many things. The last book I reviewed on Amazon was Eco's The Name of the Rose which deals with heresy in the middle ages - reading some reactions you can see how little the world has moved on in some ways with people as quick as ever to shout "burn the heretic!" the minute they see something they disagree with, however imperfectly they have understood it. Some of the comments seem bizarre - the vague accusation of "pederasty" seems bizarre - I must have missed the child pornography section of this work. I certainly knew about sex and love (or thought I did) at age 13 as did most people and the rather tender blossoming of love between Will and Lyra is handled with such delicacy (there is in fact no actual sex here as far as I can see) that this says far more about the people making the claims than it does about the actual book. As for the accusation that Pullman is ignorant and believes Calvin was a catholic pope(!) this seems to stem from someone flicking through the book looking for something to get annoyed about rather than reading it - I would have thought that the idea that this is a parallel universe with a substantially different history from ours (eg in which the Reformation never happened) is something that most people would grasp in a few short pages and I'm pretty sure that Oxford Professor Pullman knows that Calvin was never pope. I don't believe there is much misogyny here either (I think a confusion between the briefly expressed views of an immature character who living in a backward world and those of the author)
As for the anticlericalism - well clearly Pullman IS against rigid authoritarian systems of religious thought but again this is set in a parallel universe where the church is really standing in for any number of real theocratic regimes from the medieval catholic church (who did far worse things than mentioned in this book incidentally eg the brutal suppression of the Cathars in the Albigensian crusade - "Kill them all! God will recognise his own!" - this quote is from a real Catholic bishop about what to do with the civilian prisoners -women, children etc in a captured Cathar town) to the secular theocracies of the Soviet Union and the Third Reich. I don't think he is actually personally accusing the late John Paul II of trying to surgically amputate children's souls here - that seems a depressingly literal take on things - so literal in fact you wonder why some people bother reading fiction? Or even manage to function on a day to day basis in a world filled with metaphor?
Frankly given all the fuss I was expecting this book to be far more heretical and religion-bashing than it actually was. I suppose people like a friend of mine's cousins who ban Christmas tree fairies for being "satanic" and consider the Disney movie "Pocahontas" to be a work of the devil will probably not like it. Personally I consider this book to be quite a moral work though not in a preachy or dogmatic manner and in a way which also recognises shades of grey - it seems to stress the right qualities that I would certainly like any child of mine to learn - tolerance, friendship, love, the courage to do what is right, to be sceptical about dogma and not to be blindly obedient to authority - someone disapproved of this book because of the last point - well after the history of the 20th century with the Soviet union, Third Reich etc I'm quite surprised that some people still think that unthinkingly following orders is such a great idea. In any case there is another famous work where the protagonist takes on the religious and secular powers that be - its called "The New Testament". In the real world the battle between the Kingdom and the Republic rages on as it does fictionally and personally I think Jesus might not have been on the side that many seem to think he would've. As for the anti-God theme in later parts of the trilogy - well for starters the "God" of these books is clearly shown not to be the creator God of Christianity and the "bad guys" are those who have usurped him and used his authority for their ends as many have in human history. Asriel's war against God is shown to be misguided and missing the point in any case. Pullman IS anti-organised religion and he IS an atheist but I think some people have just simply misread him in their outrage and tried to simplify what he is actually saying to make it easier to dismiss
I could go on but what's the point? The bottom line is that if you think you won't like this because of its moral or religious take on things you almost certainly won't - though I notice my UK edition has a rather glowing quote from a review by The Church Times which suggests that not all believers are as outraged as some. As for me I thought it was gripping, highly imaginative and thoroughly enjoyable.
PS this book was recommended to me by a Christian.


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The Sorceress (The Secrets of the Immortal Nicholas Flamel) Review

The Sorceress (The Secrets of the Immortal Nicholas Flamel)
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I have been wating for this book for about a year now, and it was well worth the wait. I read it in one sitting. This series is fast paced, inventive, and full of very developed characters. As an adult reader, I could obviously tell the book was written for a younger set, but it is just something to remember when judging this book and the rest of the series. The only bad thing I can say is that I am not looking forward to waiting another year for the forth.

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The Magician: The Secrets of the Immortal Nicholas Flamel Review

The Magician: The Secrets of the Immortal Nicholas Flamel
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I happened upon this and the first book in the series (The Alchemyst) just before July 4th and have quickly polished them off. For me the use of real historical characters alongside well-researched mythology is nigh irresistible.
The books move along smartly with plenty of action and a narrative that is propulsive and unrelenting. In many ways these feel more like Jim Butcher's Dresden Files books than Harry Potter.
Note that these books are clearly written to be "safe" for a younger audience. No sex, and fairly restrained violence. These are exciting and tense books, but still PG (or maybe barely PG-13).
I am intrigued by the ambiguity around several of the main characters including Machiavelli and Flamel and am eager to see where these books go. Highly recommended.

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The Movie Posters of Drew Struzan Review

The Movie Posters of Drew Struzan
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I've been an avid fan of Drew Struzan's artwork for movie posters, or "one-sheets" since 1984. The first poster I ever saw his magnificent work on was for the first "Back To The Future" movie. His ability to capture the exact likenesses of the stars and personalities over the years still gives me goosebumps to this day. I have amassed a huge collection of most of his movie poster work, and works in others medium like for collector plates, stamps, book covers, etc. This book showcases most of his movie poster artwork seen on the U.S. one-sheets over the years. I was suprised that some of the familiar posters were missing from this book. Overall the work is presented well in full color, full page glory. I'm looking forward to the bigger, more comprehensive book "Oeuvre" that will cover all of his works up to now. This book is a good appetizer for the main course that will be "Oeuvre" later this month. If you're a fan of Drew Struzan, as I am, pick up this book. It will help to whet your appetite for "Oeuvre". Long live Drew Struzan...the last of his kind. The movie poster illustrator.
-Mike Buckley

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Drew Struzan's talent for capturing what is both human and heroic in the face of a movie character has made him the top Hollywood film campaign artist for the past 30 years. Struzan, "the last of the great poster artists," according to The Boston Globe, has created the images for some of the biggest and most successful box office hits in cinematic history, including Indiana Jones and the Temple of Doom, Back to the Future, the complete Star Wars series, E.T., Blade Runner, Rambo, Harry Potter and the Sorcerer's Stone, and Hook. This compilation of his cinematic art, accompanied by text explaining his particular vision of each character, features a foreword by the director George Lucas.

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Max and the Gatekeeper Review

Max and the Gatekeeper
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Max and the Gatekeeper is the debut novel from James Todd Cochrane. The first in a planned series for young readers, Max and the Gatekeeper follows the adventures of 12-year old Max Rigdon, who is less than thrilled to be sent to his Grandpa's house for the summer. Immediately upon arrival, weird things start happening, and Max suspects his Grandpa has a secret. Along with his new friend Cindy, Max encounters adventures - and danger - beyond his wildest dreams, and far beyond the world he knows.
The Good: Max and the Gatekeeper is a fast-paced tale with plenty of action and a potent mix of magic, technology, creatures and characters, and just the right amount of violence. The premise Cochrane builds here could lead to numerous storylines in the future, so you definitely get a sense that there are more stories ahead. The spells and gadgets should appeal to young readers, especially those looking for a new adventure now that the Harry Potter series has come to an end.
The Bad: Despite Max and the Gatekeeper's potential appeal to young readers, it's not the kind of novel that adults will enjoy like they would a Harry Potter or His Dark Materials book. There's not much in the way of character development, and the pace of the story, while ideal for kids, makes the story feel rushed and not fully developed. I also had a problem with what seemed like an arbitrary division of characters into either "good" or "evil" categories. Exactly what made certain characters "evil" was never adequately explained.
The Verdict: While not without its flaws, Max and the Gatekeeper is still an entertaining debut novel from a promising writer. I wouldn't hesitate to recommend it to young readers, but parents and adult fans of this kind of fiction probably won't get as much out of it.


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A war has been waging for centuries; a magical and technological battle between good and evil.This conflict will affect life everywhere, but not everyone is aware it exists.When twelve-year old Max Rigdon is sent to stay with his grandfather for the summer, he unwillingly enters the fight. The day Max steps off the bus he is marked with an evil curse and immediately becomes the target of evil men and creatures with designs on ruling the universe.Not only does this curse cause Max physical pain but it allows his enemies to track and find him.He soon learns that the reason for this unwanted attention is because his grandfather is the keeper of a gateway; a powerful machine that makes travel to hundreds of strange unknown worlds possible. The enemy will do anything to gain possession of this power in their quest to control all worlds. With the help of his friend Cindy and others, Max must quickly learn the necessary skills to survive if he is to avoid the deadly trap that has been planned for him and his grandfather.A trap that has been decades in the making with Max as the missing piece.If successful it will change life as we know it.

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Mio, My Son Review

Mio, My Son
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I am a Child Development Teacher and in the past 6 years have worked with children ages 0 - 17 years. I am a very big fan of childrens literature and have read most of the popular stories including the Harry Potter series, Holes (before there was ever a movie) and such. When I was raving about Harry Potter my boyfriend insisted that the best children's fantasy book ever is Mio, My Son. He is Swedish and has only been in the U.S. for the past 7 years. I looked high and low for this book two years ago and finally had it transfered to my local library so I could read it.
It is amazing. I really did love the story with the fantasy and the father / son connection. We are expecting our first baby this fall and I am so happy to see that this book is in reprint. I will definitely be purchasing a copy to put aside for our little one to read when he/she is older.

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