Showing posts with label trilogy. Show all posts
Showing posts with label trilogy. Show all posts

His Dark Materials Trade Paper Boxed Set (Golden Compass, Subtle Knife, Amber Spyglass) Review

His Dark Materials Trade Paper Boxed Set (Golden Compass, Subtle Knife, Amber Spyglass)
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Philip Pullman's dark fantasy trilogy, His Dark Materials, ostensibly written for children, is actually literature of a much higher order. The title of the trilogy comes from a particularly powerful passage of Milton's Paradise Lost, the great religious epic poem whose central story is the thematic basis for this trilogy. Another important influence on these three novels is the Christian Parsifal or Sir Percival story, which dates back to the early middle-ages as part of both the King Arthur and the Holy Grail cycle of tales. From its very first page, Pullman's crisp, evocative writing creates a world not quite like ours but just similar enough to be uncomfortable and strangely familiar. As readers of the trilogy know, most of the events in these books do not occur on our world or even in our universe. Of course, because this is post Tolkien fantasy, Mr. Pullman has absorbed all of the usual fantasy tropes and has no desire to repeat them. So what he writes is new, deeper, with fully rounded characters that come alive on the page. His courageous young heroine, Lyra Belacqua with her daemon familiar, Pantalaimon, always by her side, is one of the great creations in "children's literature". Lyra and Pan make an especially entertaining, often very amusing, pair. Her fearsome Uncle, Lord Asriel, is one of those rich, ambiguous creations that keep you guessing as to their motives, reminiscent of Professor Snape in J. K. Rowling's Potter novels. Pullman's writing is lean and well crafted and exciting to read. Once started, it is very difficult to set aside.
This three volume boxed set contains the books in hardcover with their original dustcovers. Their artwork is lovely. It also contains a map: a necessity in today's complex world of fantasy. The first volume, The Golden Compass, has been filmed and was recently released on DVD. The two succeeding books, The Subtle Knife and The Amber Spyglass, will presumably follow thereafter. This set makes a lovely gift for an older and mature reading child or an adult who still retains memories of childhood and all of its dark mysteries. Strongly recommended.
Mike Birman

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Published in 40 countries, Philip Pullman's His Dark Materials trilogy – The GoldenCompass, The Subtle Knife, and The Amber Spyglass – has graced the New York Times,Wall Street Journal, San Francisco Chronicle, Book Sense, and Publishers Weekly bestsellerlists. The Golden Compass forms the first part of a story in three volumes. The first volume is set in a world like ours, but different in many ways. The second volume is set partly in the world we know. The third moves between many worlds. In The Golden Compass, readers meet 11-year-old Lyra Belacqua, a precocious orphan growing up within the precincts of Jordan College in Oxford, England. It quickly becomes clear that Lyra's Oxford is not precisely like our own—nor is her world. In Lyra's world, everyone has a personal dæmon, a lifelong animal familiar. This is a world in which science, theology and magic are closely intertwined. The Subtle Knife is the second part of the trilogy that began with The Golden Compass.That first book was set in a world like ours, but different. This book begins inour own world. In The Subtle Knife, readers are introduced to Will Parry, a young boy living in modern-day Oxford, England. Will is only twelve years old, but he bears the responsibilities of an adult. Following the disappearance of his explorer-father, John Parry, during an expedition in the North, Will became parent, provider and protector to his frail, confused mother. And it's in protecting her that he becomes a murderer, too: he accidentally kills a man who breaks into their home to steal valuable letters written by John Parry. After placing his mother in the care of a kind friend, Will takes those letters and sets off to discover the truth about his father. The AmberSpyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heartstopping close, marking the third and final volume as the most powerful of the trilogy. Along with the return of Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and Iorek Byrnison the armored bear, The Amber Spyglass introduces a host of new characters: the Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian Lord Roke, a hand-high spy-master to Lord Asriel; and Metatron, a fierce and mighty angel. And this final volume brings startling revelations, too: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will live—and who will die—for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle that—in its shocking outcome—will reveal the secret of Dust.

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The Earthsea Trilogy: A Wizard of Earthsea; The Tombs of Atuan; The Farthest Shore Review

The Earthsea Trilogy: A Wizard of Earthsea; The Tombs of Atuan; The Farthest Shore
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I can't vouch for the 3-in-1 format of this version, I own the books separately and like them that way, but the content is fabulous. LeGuin creates a compelling, mythic world that is richly layered with wisdom and significance. These are books that you can reread again and again, getting more out of them each time and enjoying them anew. And as if the wonderful storytelling on multiple levels for the first three books wasn't enough, LeGuin comes back to Earthsea and provides an even more intelligent (and a deeper, more feminist & humanist) interpretation of her world in the next three books with only increasing skill as a writer and storyteller.

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The Lord of the Rings: The Fellowship of the Ring Review

The Lord of the Rings: The Fellowship of the Ring
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A cinematic version of Tolkien's THE LORD OF THE RINGS ranks up with the hope that Lucas will indeed make another Star Wars Trilogy, and, I think I can safely say, this is one of the most anticipated films in the movie industry's long and checkered history. You would think it's movie paradise, considering Lucas has been in the midst of another Star Wars trilogy and LORD OF THE RINGS has finally got a cinema deal (live action!), but PHANTOM MENACE proved something of a disappointment (Mesa Jar Jar Binks!), and I think quite a few people will enter into the theatre with a certain amount of trepidation.
There's a reason for that. Three animated Tolkien films have been released with very problematic results. The 1978 Bakshi release is just embarrassing; the film is both incoherent and confusing.
Rankin & Bass's two movies are fine for little kids; those two films are Tolkien for Saturday Morning cartoons. They proved my introduction to Tolkien and for that I am thankful, but the movies still fail to capture the grandeur of Tolkien's imagination.
There are two things to consider here about a work of literature. Although all good literature has a polarization effect on its readers, this work has a gigantic legion of followers which are extremely dedicated to Tolkien's vision (I count myself a member of this camp). The other camp cannot figure out what the big fuss is about and why they should care about the novel.
Now, there's a reason why all this is relevant to the film: had Peter Jackson gone to far either way the film would have fallen apart. Appeal to much to the fan-base and you loose the general movie-goer. Appeal to much to the movie-goer, and you'll lose the fan-base.
So when the fan base learned of Peter Jackson's decision to film all three films at once, an unprecedented move in movie history, most of us really wanted it to be good but were just simply afraid. We've already been burnt. Would it be so bad that it would alienate both fan base and those who are just looking for a good movie?
Not only does Peter Jackson's film work, it's glorious, beautiful, has all the myth and grandeur of the book. Jackson, a Tolkien fanatic, could have gotten so involved with bringing out the extremely detailed world Tolkien gave us that the pacing would suffer or we'd lose patience with all these obscure details which would alienate the regular movie goer. Not only does he not alienate the general movie goer, but he entices the fan base so much they can't help but fall in love with his vision of Tolkien's world.
The only real flaw is how rushed first section of the movie is. Although I can understand cutting the Old Forest and Tom Bombadil, the way they handled getting the hobbits out of the Shire was unacceptable. There is not that sense of camaraderie between the Hobbits that there is in the book, there is no "conspiracy," and Merry and Pippin just join without any questioning from Sam and Frodo. While Jackson does a good job at building the Hobbits' characters and establishing their personalities, I couldn't come up with a good reason why Frodo and Sam would just let Merry and Pippin join them.
The Prancing Pony is worst. There is no questioning from the Hobbits about Aragorn proving himself, there is no scene about him asking them to trust him, and the whole sequence feels much too rushed. Sam only questions Aragorn while they're actually out of the inn and traveling.
Thankfully, however, that is the only real flaw. The rest of the things the script changed (tightening Elrond's council, the expansion of Arwen, cutting Sam from the Galadriel mirror sequence, tempting Aragorn with the ring, etc) I can see why they did it for dramatic tension. I also liked the way they handled Elrond's council, because that could have ruined the movie like it did with Bakshi's. They had established and covered much of the material in that chapter elsewhere by means of voice-over prologue and actually showing the viewer what is happening (especially with the Isengard sequences), and as a result lessened the screentime of that scene and helping with the dramatics of it.
As for the controversial expansion of Arwen, I tend to agree with the film makers in their decision to enlarge her role. By making her part of the Ford sequence it introduces the character and establishes her in the viewer's mind, and the relationship between Arwen and Aragorn is more fully explored. As for their romantic interlude in Rivendell, not only do I agree with that but think it should have been done in the book. Tolkien did not know who Strider was when he was first writing FELLOWSHIP, and did not go back and change the scenes to further explain the romance between Arwen and Aragorn, and by not including a scene in Rivendell to establish their love for one another lessens by far the impact of their union in Part III, and (for once) this romantic scene is actually an improvement on the book. As for her role in the Flight at the Ford, for the movie they made the right choice though the book is still preferable.
In achieving the balance between fan base and the more causal fan, this film is a spectacular success. Making a movie out of a book the size of Fellowship, the fact is you will have to condense, tighten, rearrange, and make changes for dramatic tensions. The mediums are different, and you cannot have a direct translation from a book to a film. Despite of what they cut, the movie still clocks in at three hours, which is very generous. The real problem with this film, as others noted, is it's going to be a full two years before we finally get to watch THE RETURN OF THE KING.
In the end, we get a movie that stays true to the SPIRIT of the book. This is what we Tolkien fans have long been waiting for. Thank you so much Peter Jackson and your cast and crew.

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Assisted by a Fellowship of heroes, Frodo Baggins plunges into a perilous trek to take the mystical One Ring to Mount Doom so that it and its magical powers can be destroyed and never possessed by evil Lord Sauron. The astonishing journey begins in the first film of director/co-writer Peter Jackson's epic trilogy that redefined fantasy filmmaking. This imaginative foray into J.R.R. Tolkien's Middle-earth won 4 Academy Awards* and earned 13 total nominations including Best Picture.

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The Lord of the Rings: The Motion Picture Trilogy (The Fellowship of the Ring / The Two Towers / The Return of the King Extended Editions + Digital Copy) Review

The Lord of the Rings: The Motion Picture Trilogy (The Fellowship of the Ring / The Two Towers / The Return of the King Extended Editions + Digital Copy)
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I already reviewed the regular "Motion Picture Trilogy" containing the non-extended editions of the legendary Lord of The Rings masterpieces on one set. However, this newest edition is a grand improvement on the previous edition. This item is a much, MUCH better investment than the old theatrical counterparts and is perhaps the greatest DVD purchase one will likely ever make.
A lot "Director's Cut" scenes are usually just added footage that doesn't do a whole lot to add onto the theatrical edition of movies with examples like Star Wars, Manhunter, or even most of the "Aliens" movies as well. The extra material is just that, extras, that wouldn't kill me to never see again.
It's a totally different story altogether with the "Lord Of The Rings" movies altogether. While the regular theatrical editions were mind-blowing, the extended cuts of the same films do wonders in fleshing out the story and expanding the characters a lot more. Several characters that were not much more than background people are shown much more screen time, stories are greatly expanded, other scenes are much more meaningful, and the movies overall have a totally different feel altogether thanks to all of the extra footage that was not included on the theatrical editions. Now as I watch them, the old editions of them are rendered almost completely obsolete due to the chopped up nature of them. I sometimes wonder if Peter Jackson grimaced when he had to leave a lot of extra shots out of the movies to fit them onto the theatres when they were released.
"Fellowship" has 30 minutes of extra footage included to a length of 3 and a half hours. "The Two Towers" was extended 43 minutes to a total of 3 hours and 42 minutes and finally "The Return of The King" is extended by a grand 50 minutes and the ultimate result is a whopping 4 hours and 11 minutes long! I don't know about you but I don't know how one can make a longer movie like this but Jackson did it! The grand total of all three extended editions is at least an astronomical 11 hours long! This is just the movies themselves.
As for all of the extras on the "Extended Editions", there are over a days worth of extras for surf through on the latter two discs of each film set. The things on them are too great to explain in detail with this review.
Whether you buy them individually or all at once on this massive gift set, "The Lord of The Rings" trilogy goes down as the greatest trilogy of all time. You could not make a better purchase. I swear it!


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The Quest Is Over: All three extendedversions in dazzling 1080p and DTS HD-MA 5.1 Audio. Deluxe set includes over 26 Hours of spellbinding behind-the-moviemaking material, including the Rare Costa Botes documentaries, on 15 discs.
The Lord of the Rings: The Fellowship of the Ring Extended Edition: With the help of a courageous fellowship of friends and allies, Frodo embarks on a perilous mission to destroy the legendary One Ring. The Lord of the Rings: The Two Towers Extended Edition:In the middle chapter of this historic movie trilogy, the Fellowship is broken but its quest to destroy the One Ring continues. The Lord of the Rings: The Return of the King Extended Edition: The final battle for Middle-earth begins. Frodo and Sam, led by Gollum, continue their dangerous mission toward the fires of Mount Doom inorder to destroy the One Ring.


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