Showing posts with label urban fantasy. Show all posts
Showing posts with label urban fantasy. Show all posts

Cassidy:: Warrior Princess In Training Review

Cassidy:: Warrior Princess In Training
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This is a great book for kids, teenagers, and adults. Set in beautiful colorado, Leigh Brock introduces you to a 18 yr old girl named Cassidy whose life as she knows it changes over night when she finds out that her life is not what she thought it was. She was planning her future after high school- but finds out that her life is already planned out for her as the Queen of the Warriior Guild.
I loved the book. It keeps you on your toes by throwing in unexpected events that happen to Cassidy and her friends along the way.
If you want to read a book that is entertaining with characters that you fall in love with- then buy this book!!I know I cant wait til the second book!!


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Cassidy was a normal teenager, with normal friends, and a normal life.Then who was trying to kill her and why? In one day, everything Cassidy and her best friends have known to be true turned out to be a fantasy.Sure, she read books about Warriors and Wizards, what teenager has not?Cassidy was about discover the truth about her long lost family, whether she is ready or not.She is thrust in a world where she is a Queen and so many lives depend on her, but is she ready to step up and accept her fate. Set in the beautiful Rocky Mountains this first book will have Cassidy and her friends battle their enemies they never knew existed, and claim their birth right.Cassidy will have to step up and lead her friends during a very difficult time, because they find they world they belong to is not at all what the text books say.They quickly realize that when they are told it's a matter of life and death for them to finish their training it isn't an exaggeration.Together they experience the loss of a loved one and the rage they must control for revenge.During their quests, Cassidy and her friends will travel to all parts of the country, each person with their own story and new love all culminating in a breathtaking battle of good against evil.

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The Magicians: A Novel Review

The Magicians: A Novel
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Stop thinking this is a fantasy book. I know, I know, it's called "The Magicians," the plot synopsis references all three of the most famous fantasy series and describes a handful of familiar fantasy tropes, including the school of magic and the fairy tale land come to actual life. But forget all of that. I have read more fantasy books than I can remember -- I'm named for a character in perhaps the most famous fantasy series of all time -- and I'm telling you: "The Magicians" is not a fantasy.
It has fantastic elements, yes. There is magic; there is a school for magic, where the characters learn to cast spells, using hand gestures and arcane language and strange mystical components -- Ziploc bag full of mutton fat, anyone? -- and there is a voyage from this world to another, a land of naiads and fauns and magical speaking animals, gods and demons, kings and queens, quests and wishes. But this book is something very different from the usual fantasy novel. In "The Magicians," Lev Grossman has done something unusual, and remarkable, perhaps even unique: this is a grown-up fantasy. This book is to fantasy what "The Grapes of Wrath" is to travel books, what "The Metamorphosis" is to self-help: so much more depressing and visceral and funny and horrifying, and genuine, and fascinating, and hard to read and therefore valuable, that it doesn't belong in the same category despite sharing some central traits. The setting is imagined, and there are supernatural things that happen, but make no mistake: this is a serious novel.
Where the characters in most fantasy books are heroic, larger than life, the sort of people we wish we could be, these magicians are not: the characters are too close to plain old humanity, flawed, contradictory, foolish and foolhardy, to stand in as idealized versions of ourselves. Where most fantasy books provide an escape from our reality, this book does not. In point of fact, the moral of this book is that escape is not only impossible, but dangerous and harmful to attempt. The hero, Quentin Coldwater, attempts to escape every serious situation he faces, and every time, he ends up worse off than he would have been if he had just been able to deal with it, honestly and sincerely. But his response to his worsened circumstances is to try to escape again -- with predictable results. Every step Quentin takes is the wrong one, and every step sinks him deeper and deeper into a quagmire. The book gets hard to read: not because the writing is anything less than excellent, as it is top notch from first page to last, but because the urge to reach into the page and slap, shake, and eventually throttle the main character becomes overwhelming. But that desire, that feeling, should be familiar to every adult who has thought back on his or her life, and shook his or her head, thinking, "Why did I do that? How could I be that stupid?" That desire to smack Quentin is no different from the desire to smack our younger selves, and sometimes, that's a terribly annoying feeling to have, which makes this a somewhat annoying book to read.
The real triumph of this book, however, is that it is not only a serious novel, despite what I have been saying. Grossman is able to describe a world of wonder and imagination, and populate it with characters who are utterly unworthy of the magic all around them, who appreciate nothing, who completely flub their great chance -- just like I would have done if I lived through this experience, just as most of us do with our great chances in our real, mundane, unfantastic lives, which are also as full of wonder as any dreamed by a teller of tales. And because the characters are so real, so easy to relate to, it makes the fantasy seem just as real (which, of course, makes the real world just as fantastic). Brakebills reminded me of my own college experience, and yet it is a magical place. Fillory is indeed a fairy tale land come to life in this book, and I found myself wishing that I could believe I would have handled Fillory better than Quentin does -- but knowing that I would have done almost precisely the same things, made the same choices and the same mistakes. And the ending is glorious: the climactic action scene is thrilling and impossible to put down; the revealed secrets are both surprising and satisfying; the final resolution is, if not completely happy, at least hopeful.
I won't say that this is a great book, on par with "Of Mice and Men" and "Catcher in the Rye" and "To Kill a Mockingbird," but I will say that it is closer to those than it is to "The Hobbit" or the Xanth books. If you are a fan of literature, of thinking about your reading, then you must get this book, especially if you enjoy fantasy. If you are just looking for an escape, look elsewhere -- because this is not a fantasy. Or at least, it isn't only a fantasy. It's a wonder.


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City of Bones (Mortal Instruments) Review

City of Bones (Mortal Instruments)
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This review was written for my blog, so the hyperlinks and strikethrough text got erased when I posted it here, but I think you get the gist.
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I'm finally getting around to reading Cassandra Clare's City of Bones (first book in the "Mortal Instruments" series) and I have so many conflicted feelings about it, I'm actually having a hard time just reading it. Nevertheless, this post is actually a review of City of Bones. IT HAS SOME SPOILERS. Not that there's much to spoil.
First of all, I've been familiar with Cassandra Clare's work for quite a few years now...of course, what I mean is that like thousands of other people, I knew her from her LOTR and Harry Potter fanfiction days, under the penname "Cassandra Claire." She would probably be the most stellar example of what's known as a BNF, or a Big Name Fan. She wrote the "Very Secret Dairies" for LOTR and the "Draco Trilogy" (Draco Dormiens, Sinister, and Veritas) for LOTR. They've probably been translated into countless languages and most likely if you read any Harry Potter fanfiction at all, you've probably heard of Cassandra Clare. Unsurprisingly, there was also some controversy and plagiarism accusations, since she paraphrased or "forgot to cite" a lot of phrases and quotes. Here, you can read all about it at her very own Fanlore page. As I recall, she may or may not have been gifted a laptop by fans when hers was stolen - though this is apparently one of the myths that got deleted off websites like Fanlore.
Anyway, all this is just background context, but it's important context, and you'll see why. So basically after this highly successful fanfiction stint, Cassandra Claire became Cassandra Clare, the best-selling author of the YA "Mortal Instruments" series, which finally brings me back to City of Bones. With that said, City of Bones is more or less the Harry Potter world reimagined, and what I mean by that is that basically almost every single concept and phrase and description in this book seemed oddly familiar... But that's kind of to be expected, since naturally a writer's style can't change overnight. Still.
Here's now the series works. Clary Fray is your normal teenage girl - for about fifty pages, anyway - and basically she starts seeing things that other people can't see. No, it actually isn't a book based off the ever popular faerie mythology. Clary sees three teenagers covered with weird markings kill someone they claim is a demon. Turns out, there's a whole "Shadow world" out there, where there are vampires, werewolves, faeries, and so on. One of those marked teenagers turns out to be a young Shadowhunter named Jace, who happens to have all the same mannerisms and characteristics as Draco Malfoy, especially the Draco Malfoy portrayed the Draco Trilogy. In other words, he's arrogant, wealthy, sarcastic, blond, and he even comes with a back story with some kind of stern father who teaches him that "to love is to destroy." The father spoiled his son with luxuries (they live in the Malfoy a manor, after all) but the father also died. Jace is a Shadowhunter, meaning he's been trained since birth to kill demons and whatnot. A Shadowhunter uses a stele (which is a wand-like object, Clare's description, not mine) to draw runes, i.e. they use this "tool" to do magic. Cool, right?
Okay, Jace is actually pretty appealing (well, why not? He's basically Draco) but the similarities don't stop there. See, about 16 years ago in this magical world, this guy named Lord Voldemort - er, I mean Valentine - decided to get rid of everyone who he felt wasn't pureblooded enough, which in this case means anything nonhuman. There's actually quite a bit of snobbishness going on between the Shadowhunters and the Muggles - er, I mean mundanes - that don't know about this magical world that's hiding in plain sight. Anyway, 16 years ago, "Valentine" failed and everyone thought he and his wife and child died. His supporters, the Circle (okay, fail, Death Eaters sounds so much cooler), either died during the Uprising or turned themselves in and are somewhat co-opted back into the government, but exiled.
Clary, of course, turns out to be mysteriously connected to He Who Shall Not Be Named, who turns out not to be dead. Like you didn't see that one coming. Anyway, Valentine sends demons after Clary and manages to kidnap Clary's mom. Clary's dad conveniently died around the time she was born. Hmmmm. Valentine used to be this popular and handsome Shadowhunter who, you know, didn't start out evil but gradually became obsessed with killing all the Downworlders (those nonhuman, part demon whatevers) and using this thing called the Mortal Cup to create more Shadowhunters from regular humans. Problem is, only like 20% of the converted humans survive, but Valentine's not going to let that stop him. He builds up his followers - the Circle - which basically consists of the parents of all of Clary's new Shadowhunter friends. By the way, the Shadowhunter names are all things like Blackwell, Pangborn, Lightwood, Fairchild. Just so you know. No sense of deja vu, of course.
Also, in a twist you so couldn't see coming, Valentine turns out to be Clary's mom's husband, which makes Clary...right, his daughter. Oh no! To help you (and Clary) keep track of everyone, there's this old picture of the Circle when they were young, y'know that group of friends who were all together...too bad the picture isn't animated, right? Let's keep going though. So V's after the Mortal Cup, which Clary's mom has hidden, so Clary and Jace try to find it while some action and unrequited love pads the story. The relationships are painfully similar to what was in Draco Trilogy, but I guess you can't really plagiarize from yourself. On the romantic front, I won't spoil it completely, but just think Leia and Luke Skywalker. Uh huh, another classic. Jace also has an "I am your father" moment.
All right, all this said, despite all of the above, City of Bones is a pretty good book, in the same way that I thought that the Draco Trilogy was pretty fun to read. Incidentally, the Draco Trilogy can be downloaded as a PDF from a variety of places. Both the Trilogy and this "Mortal Instruments" series have lots of Latin inscriptions, lots of references, and lots of funny moments. It's only irritating because the whole thing constantly makes me think "wow, I've seen this before," to the point that it was really distracting. There wasn't a single part that I felt was all that new, but everything was pretty well done and well written. Clary is almost unbearably a Mary Sue, but I was way more distracted by the shoutouts to Jaida Jones (another famous fanfic writer turned published author, who actually did write a novel I really liked, Havemercy) and Holly Black. Regarding the Mary Sue issue, though, can we please get rid of all these fantasy heroines who never seem to realize they're beautiful until their romantic interest tells them? Cliche much and annoying much? Please, you're telling me a 16 year old girl somehow never realized her own level of attractiveness. Really, now.
Unsurprisingly, the "Mortal Instruments" series has been a big hit and might be being made into a film. Lots of people are saying it's the next Harry Potter. In my opinion, it's more like a Harry Potter rehash, but given how much HP has sold, if Cassandra Clare can take even 5% of the market share, that would be a pretty big success. Would I recommend it to others? Hmmm. I think as an avid reader of YA novels, I have far better series to recommend to my friends. You could definitely do worse, but you could also definitely do better. For those who like fantasy and heroic fairy tales, try Kristin Cashore - though her books are very well rounded and definitely deserve all the YA awards they've won. For those action-minded, try Suzanne Collins' Hunger Games trilogy. If you're looking for an teenage epic action/romance series with vampires, try Richelle Mead. If you like stories about futuristic technological dystopias, try Scott Westerfeld or Robin Wasserman. Leaning toward epic fantasy or consider yourself a fan of Tamora Pierce? Try Allison Goodman's Eon.
Update: The "MI" series ARE being made into films and the hype is already that it'll be the "next big thing" when Twilight ends.

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Scepter of the Ancients (Skulduggery Pleasant) Review

Scepter of the Ancients (Skulduggery Pleasant)
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Skulduggery Pleasant is a wonderful name, and the skeletal title character is a fun new addition to the children's fantasy genre. However, when I bought the book, the bookstore clerk told me she thought it read like a TV show, particularly because of its snarky dialogue, and she was right. After an early interlude in which main kid Stephanie seems like a relatively normal child, we discover that the rest of the book is written in that dialect known as Banter, herein practiced by a preternaturally adult child character having snippy-snappy conversations with a childish adult character (Skulduggery).
The clerk also said she's seeing more and more children's books written in this style. Is it because everyone's aiming for a movie someday, like the Harry Potter franchise? Or is it because we have a new generation of writers whose training stems as much from years of TV and movie watching as from reading--writers with an ear for TV-style dialogue and characterization?
The plotting, too, which other Amazon reviewers have described in some detail, feels like a movie or at least a Saturday morning cartoon, albeit a lively one. Evil-villain-takes-over-the-world-with-the-help-of-appropriate-traitors-and-henchmen has been done to death, but Landy does throw in a few fresh twists, though the character of Skulduggery remains his greatest accomplishment. I would like to tell you that I found Stephanie appealing, but her mall-speak didn't quite work for me.
That said, there's obviously a place in the world for rowdy, TVesque books--look at all these rave reviews! Skulduggery Pleasant will be an entertaining read for a lot of kids, and it may yet become a movie or at least a video game. Still, it isn't well crafted in a traditional (award-winning, vanishing-classic, literary) sense. Try Terry Pratchett's Wee Free Men, Tamora Pierce's Terrier, or Jonathan Stroud's Amulet of Samarkind if you want to see what I mean.

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The Throne of Fire (The Kane Chronicles, Book Two) Review

The Throne of Fire (The Kane Chronicles, Book Two)
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First off, let me say that this is no Percy Jackson, in case you're going into this with vaulted expectations. However, these books do have their place, but the pacing is slower, the back stories a bit more longwinded (particularly in the first book in this series), yet the characters in both Percy and Pyramid are equally well drawn. Go figure. If you haven't read the first book, don't worry, the author does a decent job of catching you up on important details and plot points that lead to this book.
This time around, the book opens with a bit of action, as the kids, along with their new "special recruits" sneak into a museum and try to steal an artifact. This is typical, as a first book in any series tends to start off slow or include a lot of exposition and foreshadowing. Since we more or less know the characters in this book, the action plays out on a grander scale without sacrificing character development. There is another world-at-stake scenario in this book, via the chaos snake Apophis, who is a major threat to the Kane family, and he is planning to conquer the world once he is freed from his prison. But of course there is a plan to stop him. While not exactly a rehash of the events that involved the defeat of Set from the first book, you can tell that these books are in the same series, and take place in the same Red Pyramid world.
We get a lot of action and adventure in this book and loads of Egyptian myth that is presented in a fun way. But for my money, the book lacked a certain something. For one thing, it is drawn out in spots, and I'm a believer in tighter more streamlined storytelling. Another book series I started reading recently, which involves ancient temples and a thrilling artifact hunt, actually tells a rather compelling, tightly woven story. It also involves characters with unique abilities. Check it out here: The Crisis Artifact (The Crisis Trilogy) So while The Red Pyramid series can stand a bit of tightening up and trimming in spots, there are currently less well known epic series on the market that are begging to be read!


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In this exciting second installment of the three-book series, Carter and Sadie, offspring of the brilliant Egyptologist Dr. Julius Kane,embark on a worldwide search for the Book of Ra, but the House of Life and the gods of chaos are determined to stop them.

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Midnight Riot Review

Midnight Riot
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Rivers of London is the long-awaited original series from popular TV and tie-in writer Ben Aaronovitch. A darkly comedic police procedural, Rivers is a deliciously more-ish book that is nearly impossible to put down.
The book (and presumably, the forthcoming series) features Peter Grant, a somewhat mediocre police officer who suddenly discovers that he's, well, magical. Or at least, suddenly aware of the magical. Young Grant was on the fast track to a bureaucratic desk job, but now his life is much, much more interesting. Grant is poached for duty by Chief Inspector Nightingale, the Met's divisional head (and the entire division) for Creepy Magical Stuff.
It all happens just in time. The Rivers of London, at least, their magical embodiments, are having a turf war - it is in the pushing and shoving phase, but still, if it goes wrong, the city will be in bad shape. Grant is also juggling a second supernatural case - a nasty serial-killer of a poltergeist is beating people to death and making their faces fall off.
The Occult Detective has transformed into a recognisable genre stereotype. The 'O.D.' generally has a supernatural knack but, more commonly, solves problems through fast talking, "people skills" and general cunning. He's a bit of an outsider, something exacerbated by the fact that he Knows stuff that The Rest of Us don't. He's the tarnished knight type - cynical due to the problems in his own past. And 98% percent of the time? He wears a long coat.
Peter Grant (and CDI Nightingale) are the most recent branches of the motley family tree that includes Felix Castor, Harry Dresden, Johns Taylor, Constantine and Silence, and even, arguably, Doctor Who. All slightly-detached, urbane fellows with an outsider complex, floor-length coats and a knack of spotting solutions from a Lovecraftian angle. If Peter Grant bucks the trend, it is only because he still wears his patrolman's uniform.
If anything, Grant is a little too much of an outsider. He blithely strolls through the book with a clinical detachment that borders on the unflappable - even when he's caught on fire or, you know, someone's face falls off. Part of it is Mr. Aaronovitch's humorously objective writing style - but there are still points where I wanted to check the lead for a pulse. Like Constantine or Castor, Grant needs the occasional smack to remind him that he's still part of the human race - but unlike those two, it isn't rooted in cynicism, more an airy casual acceptance of events that is, at times, even more alien.
Where Mr. Aaronovitch separates his work from the trench-coated crowd is with his depiction of London. I'm a PROUD LONDONER (e.g. I moved here ten years ago, still cheer for foreign sports teams and will inevitably move to the suburbs as soon as I save up the money) and was wildly pleased to see proper descriptions of MY city.
Physically, emotionally and historically, Mr. Aaronovitch captures the unglamorous essence of urban London life. From stumbling over drunks to sweating on the tube, the informative plaques on every paving stone and the insane difficulty of Central London driving... this is the city in all of its banal glory. John Constantine and Felix Castor wander through Londons soaked through with mysticism - Peter Grant patrols streets with lined with CCTV and German tourists. Grant's detachment helps convey his (and, clearly, Mr. Aaronovitch's) love/hate relationship with the city as well. It is insane, clunky and messy, but who could possibly imagine living anywhere else?
Peter Grant is a late, and welcome, addition to a long line of irritable, sartorially-questionable saviours. If the he doesn't seem to be taking things too seriously... and the entire narrative style is a bit tongue in cheek... and the setting is a bit grittier than expected... that all sums up to an entertaining atmosphere that keeps the pages turning. There may be not a lot of thriller-style tension, but there is a lot of action, all excellently orchestrated in the streets and streams of London.

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Probationary Constable Peter Grant dreams of being a detective in London's Metropolitan Police. Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he'll face is a paper cut. But Peter's prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter's ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny. Now, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.

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Blackrayne Review

Blackrayne
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The concept of this book -- an unethical psychologist whose birds have come home to roost finding himself embroiled in a powerful cult -- was intriguing to me. I found the character of Jason engaging, if not likable. The plot moved quickly and I found myself embroiled in the story. There were some editing issues, but these were fairly minor.
Then I hit a brick wall. I don't believe in spoilers, and I'm not going to discuss the particulars of how this book ends, but a substantial percentage (yes, I counted) of this book involves page after page of clunky Christian preaching. Not just any old Christian preaching either -- this is the Christianity where folks (especially fornicators and gay folks) burn in endless lakes of fire and God rewards His chosen with earthly prosperity.
Although the preaching is supposedly related to the storyline, the connection is tenuous at best. I found it objectionable for two reasons: First, if I want to read someone's testimony, I will choose to do that by buying one of the many non-fiction Christian books on the market. Second, as a literary device, "God fixes everything" is on a par with "And then I woke up and found it was all a dream." It's a cop-out way to end what started as (and is marketed as) a secular story.
I gave this book two stars (instead of one) because the concept and the first part of the story show that the writer has promise.

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Harry Potter Paperback Box Set (Books 1-7) Review

Harry Potter Paperback Box Set (Books 1-7)
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I, like many other people, used to dislike Harry Potter. I had never actually read the books, but for some reason looked down on Potter fans, thinking them to be a bit off color. I was certain that the whole thing was highly overrated and that it had been blown way out of proportion (like Twilight).
I could not have been more wrong. I finally read the books at the continuous urging of a friend in my junior year of high school, and they have become my favorite books of all time. I have already reread all seven books and stood in line for hours to see the midnight premiere of the newest movie.
When is the last time you have read a book and instantly wanted to pick it up and read it again? It doesn't happen often.
I can't even begin to tell you how incredible these books are. Not only are they very entertaining, but they are filled with the important themes of good vs. evil, the power of love, and the value of good choices. The characters in this book have become part of my life.
If you are at all hesitant to read this series because of its classification as a 'fantasy' series, I can assure you that you will not be disappointed. Yes, the book is about wizards and magic, but you would be shocked at how quickly the story pulls you in.
I can only ask you to PLEASE read the first book. If you like it, keep reading. If you don't, keep reading. The books get better as they progress, and I feel that the final chapters of the last book are some of the best reading I have ever done.
Also, do not judge these books from the movies. Everybody knows that the book is always better than the movie, and it's the same case here. The movies are great, but you need to read the books to fully appreciate what's happening and become a true Potter fan.

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Now for the first time ever, J.K. Rowling's seven bestselling Harry Potter books are available in a stunning paperback boxed set! The Harry Potter series has been hailed as "one for the ages" by Stephen King and "a spellbinding saga' by USA Today. And most recently, The New York Times called Harry Potter and the Deathly Hallows the "fastest selling book in history." This is the ultimate Harry Potter collection for Harry Potter fans of all ages!

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