Being a Christian Without Being an Idiot Review

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(More customer reviews)I had heard Brad Stine's comedy before and even had one of his CDs. Then, I had the pleasure of seeing him in concert last week.
His performance was fabulous. He is not only hilarious; he is extremely bright and relevant.
After his show, I bought some of his material. One of the things I got was, `Being A Christian Without Being An Idiot'. The title is certainly provocative. The material inside is relevant and thought provoking.
The main purpose of this book is to get Christians to think about many things that they consider to be Christian `truths', but which are oftentimes more about cultural and denominational traditions. He makes the point that, `Christians are different from each other in our theology, denominations, and social interaction,' and goes on to contend, `That's AS IT SHOULD BE!'
Some of the `assumed truths' that Stine dissects include the following: Satan causes most of the problems for Christians, drinking and smoking are sins, all `true' Christians will be offended by the same things, and sinners are worse people than I am. There are also several others.
Regarding smoking, he makes several points: 1) the Bible doesn't say anything about smoking, 2) `It does bring up gluttony, though, and our country by far has more health issues with overeating than they do with smoking, 3) many Christians don't drink or smoke, but have serious weight problems. He says, `Some temples have some extra rooms added on that weren't in the original architecture'. He goes on to point out that he is not judging, nor is he trivializing smoking. He uses this example to show that our culture does not take gluttony as seriously as smoking.
He points out such inconsistencies as the intense focus that many Christians have on the gay marriage issue while virtually ignoring the sky high divorce rate for heterosexuals including Christians.
Mr. Stine manages to get his humor in even while making serious points. While discussing the reaction of some Christians to the Harry Potter books, he talks about some book burnings that have occurred. He makes the point that Christians should be working to `draw people to the cross, not send them fleeing in horror.' He says, `I think a good rule of thumb is, if HITLER tried it, you may want to go another direction!'
This is really a terrific book. It is one that will make Christians think about important issues while having fun reading it. I highly recommend it. I also recommend that if you ever have a chance to see Brad Stine in concert, you take advantage of it.


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The Dark Is Rising (Dark Is Rising Sequence) Review

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(More customer reviews)Susan Cooper has yet to equal "The Dark is Rising," the second book of her classic Dark is Rising Sequence. Independent of the first book "Over Sea Under Stone," this is also darker, more magical, more intense, and one of the most beautifully written fantasy novels in existance.

Will Stanton is an ordinary boy, until his Midwinter eleventh birthday. On that day, he ventures out into a seemingly changed world. There, he encounters a sinister Dark Rider, then a beautiful white horse that leads him to a hidden place, where he finds two of the Old Ones -- the mysterious Lady and Merriman Lyon, one of the stars of the previous book. The Old Ones are immortal, powerful, wise, and it turns out that Will is the last one born.

And as an astonishingly cold winter settles over England, Will is taught some of the ways of the Old Ones, who fight the Dark (forces of evil, like the Dark Rider). He has one of the signs of power, but must get them all: Iron, Bronze, Stone, Wood, Fire and Water. And he must contend with the Dark Rider, his own failings, and a mysterious stranger whose future is inextricably entwined with his...

Susan Cooper is at her peak here. Will Stanton's adventures have a sense of unreal mystery and magic about them, where the slightest actions can have significance, time is easily manipulated, and two kinds of reality intersect. Welsh mythos and legend is interwoven more deeply here, including hints of the Arthurian tilt that was featured more prominently in "Over Sea, Under Stone." At the same time, Cooper accurately displays a more human side of Will, the side that is deeply attached to his family and home.

Her writing also becomes much more detailed here. In her first Dark is Rising novel, Cooper's writing was relatively spare and lacking in detail. Here, she more than makes up for it with intricate details about the halls of the Old Ones, the bustling farmhouse, and the eerie woods where the Walker wanders.

Nowhere to be found is the British-kids-on-holiday atmosphere. It's replaced by an warm atmosphere, and one of shocking, powerful magic. This isn't magic infringing on our world, but rather Will stepping from one to another. Her dialogue is more believable, even the little old lady bleating about the snowstorm; and Will tends to think, act, and talk like an eleven-year-old boy who is aged before his time.

Will himself is an astonishingly three-dimensional character: he flips between being a smart, quiet eleven-year-old to being an Old One, with all the power that suggests. This transition is not one that is handled lightly, as he gradually loses his innocent, boyish outlook and learns more about the battle between evil and good. Merriman Lyon is a more majestic character than in "Over Sea, Under Stone," and the reader gets a saddening view of the sacrifices he's had to make for his battle against the Dark.

Susan Cooper does an astonishing job with "The Dark is Rising," a spellbinding fantasy that secured the Dark is Rising Sequence as a classic. Truly an entrancing, magical novel.

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Compelling Evidence (A Paul Madriani Novel) Review

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(More customer reviews)My introduction to Steve Martini came with his next novel, 'Prime Witness'. But after reading that in record time (for ME anyway) and getting bitten by the legal/thriller bug, I went in search of more by Mr. Martini and came across Paul Madriani's first case in print. The opening chapter is set in the gas chamber viewing a convicted murderer's last moments...a sobering way to start off a murder/mystery to be sure. The description was SO vivid I felt as though I had actually witnessed an execution myself. From there we get to know attorney Paul Madriani, a fantastic character not because of his strengths, but mostly due to his faults and shortcomings. FINALLY! A lead character I can identify with (except for the affair part).
Paul Madriani has problems--a LOT of problems. He has been fired from his previous job mostly due to an affair with one of the partner's wives (I guess that is a naughty thing to do) and in his private practice, he ends up being encouraged to represent the woman he had an affair WITH as she is charged with murdering her husband who also just happened to be up for a Spot on the California Supreme Court. It's just one twist after another, and aside from the almost campy bedroom scenes, the courtroom drama is fresh--even if some of the investigative techniques ARE dated (read and you'll figure out) Steve Martini is a natural storyteller with flare and if you like this story, you will be happy to know he just gets BETTER--but I'd recommend reading the Madriani novels IN order (the next is 'Prime Witness' followed by 'Undue Influence', 'The Judge' and finally 'The Attorney'). Fans of this genre NEED to get to know Steve Martini, definitely one of the brighter stars in the field of Legal/Thrillers.

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The Hidden Key to Harry Potter: Understanding the Meaning, Genius, and Popularity of Joanne Rowling's Harry Potter Novels Review

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(More customer reviews)Let me say up front that what kept me from giving this book 5 stars was its need for better organization and a stronger editorial hand. (More of this later.) In terms of content, thought and provocative analysis, it is 5 stars all the way. Anyone seriously interested in the Harry Potter books, pro or con, should read this book.
Many Evangelical Christians consider the Harry Potter books objectionable, even Satanic, because of their magical milieu of Witches and Wizards. These objections have been stated most strongly in Richard Abanes' "Harry Potter: The Menace Behind the Magick." John Granger, an Orthodox Christian and a classics scholar, has now written a book, "The Hidden Key to Harry Potter", that challenges this view with the startling thesis that far from being Satanic, the Harry Potter books are in fact profound Christian allegories that are filled with Christian symbolism.
Granger makes a very convincing case. Among other things, he examines the numerous Christian symbols that appear in the Harry Potter books: Unicorn, Stag, Golden Griffin, Phoenix, and others. He offers a compelling analysis of the climactic scene in "Harry Potter and the Chamber of Secrets" that interprets Harry's battle with the Basilisk as an allegory of the Christian's fight against Satan and the healing power of Christ's sacrificial love. In an extensive section on alchemy (that could use a bit of pruning), Granger argues that "Harry Potter and the Sorcerer's Stone" is about the transforming power of Christ in the life of the Christian. Granger also shows how Rowling's books fit squarely in the "Great Books" tradition of Austen, White, Lewis and Tolkien.
Granger argues that the Harry Potter books have been so phenomenally successful not only because they are corking good stories, but more importantly because they address the reader's spiritual needs on a fundamental, even subliminal level. This argument is certainly more convincing that the one offered by some Evangelicals, namely, that the series' runaway success is due to help from Old Scratch himself.
Granger identifies and examines some of the principal underlying themes of the books - prejudice, dealing with death, the importance of choices in determining character, among others - and offers an analysis of the central meaning of each of the four books published thus far. Then, in a section demonstrating considerable analytical courage, Granger offers his own speculations on what lies ahead in the books yet to come. Talk about going out on a limb!
It is not surprising that a great deal of this would have gone over the head of the average reader of the Harry Potter books. At the very least, one would need a working familiarity with Medieval Christian iconography to pick up on a lot of the symbolism Granger identifies. Assuming, of course, that Rowling is in fact writing from the perspective Granger claims she is. Sometimes, in reading Granger's book, I wondered what Rowling would think of all this. Would she say, "Finally, someone got it!"? Or would she be thinking, "Gee, I never knew I was putting all that stuff in my books!"? Unless and until Rowling herself speaks on these issues, we won't know. But at the least, Granger makes an excellent and thought-provoking case. And he also provides the great service of cutting through all the "Single-Mom-Turned-Overnight-Success" malarky to point out that Rowling is in fact a highly-educated woman with Firsts (the English equivalent to Summa Cum Laude) in Classics and French from Exeter, one of England's leading universities - which of course bolsters his arguments about the serious, scholarly underpinnings of these books.
On the debit side, Granger sometimes pushes his theories too far and strains credibility. For example, his analysis of some of the names, the title character's in particular, is unconvincing and gives the impression of grasping at straws. And his theory on the identity of the real-life model for Gilderoy Lockhart is torpedoed by a comment Rowling herself made in an interview. Also, Granger's intriguing arguments are sometimes undercut by the book's rather haphazard organization and its annoying redundancy. Apparently the book was based on a series of four lectures Granger gave, and this shows in the organization. One sometimes has the feeling that Granger has simply transcribed his lectures and notes into book form, without taking sufficient pains to adapt the lectures to a written medium. A stronger editorial hand was needed in preparing this book for publication.
But these are problems that could be solved in a revised edition, and hopefully one will be forthcoming.
The Harry Potter books have sometimes been likened by their Christian critics to a kind of literary Trojan Horse, sneaking Satanism and demonic influences into the citadels of our homes and our children's minds. But if John Granger is right, the books are indeed a Trojan Horse, but of a different kind: Rowling will have stormed the citadel of secular public education and public libraries with profoundly Christian books proclaiming the Gospel, disguised as stories about witchcraft. If, indeed, these are Christian books, what are the secular humanist guardians of public school portals going to do when they find out? Hold their own book-burning? If nothing else, contemplating the delicious irony in this state of affairs makes me hope devoutly that Granger's analysis is correct.
Let me repeat: anyone seriously interested in the Harry Potter books, pro or con, needs to read this book.

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What you need to know about The Hidden Key to Harry Potter:1) It is the first critical study to unlock the inner meaning of Harry Potter by treating the series seriously as literature along the lines of Charles Dickens and Jane Austen.2) It is the first exposé to identify Joanne Rowling as a Christian who consciously writes Christian Fantasy in the tradition of C. S. Lewis and J. R. R. Tolkien.3) It is the first full-fledged effort to predict Potter's future course in detail – an audacious and thought-provoking adventure offered to fellow enthusiasts.4) It is the first Muggle textbook suitable for use at Hogwarts – bringing humor, fun, and WOW! excitement to the "serious" business of Pottermania.Low Road critics have panned the bestselling Harry Potter novels as "the literary equivalent of fast food" and as a gateway to the occult. But no one has explained the worldwide popularity of Ms. Rowling's fiction or read it as one would read Tolkien, Hemingway, or Shakespeare. The Hidden Key takes the High Road to understanding Harry Potter's success, through an exploration of the series' structure, themes, and symbolism.The astonishing conclusion of this investigation is that Ms. Rowling, demonized by some Christian critics because of the magical setting of her books, is ironically writing the most charming and challenging Christian fiction for children since Lewis' Chronicles of Narnia. The Hidden Key demonstrates that all the Potter books teach Christian doctrines - sometimes with subtlety, often baldly - in their plot, imagery, and character development. Lambasted by critics who have not read her books closely or are unfamiliar with traditional Christian literature, Ms. Rowling's genius has been overlooked despite her books' success.A lover and teacher of the Great Books – including the great children's books he reads his seven children – Mr. Granger applies his knowledge of classical philosophy and Christian traditions to reveal the secret message that explains the magic power of Harry Potter.Find out these secrets inside:* What is the hidden key to Harry Potter? * Is Harry's magic dangerous – or quite the opposite?* What is the evidence that Rowling is a Christian novelist?* Is the author an "Inkling"? How have we been so bamboozled?* Who is the real-world model for Gilderoy Lockhart?* Who is Harry, really? Why does Lord Voldemort want him dead?* Will Wormtail kill Voldemort as Wormtongue killed Saruman?* What may happen in the upcoming Potter books?* How does it all end? – an UNAUTHORIZED prediction.

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Harry Potter and the Goblet of Fire (Book 4) Review

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(More customer reviews)Many stories have striven to catch the minds of its readers, or its listeners for that matter. From the beginning of time people have made daring attempts at concocting amusing and diverting tales, but J.K. Rowling has spun a most convincing story. Since the introduction of Harry Potter to the public, thousands upon thousands, undoubtedly millions, of every race, age, and religion, have fallen under his spell. After reading the fourth, Harry Potter and the Goblet of Fire (Finished it in less than three days; I couldn't put it down!), I have to let it be know that Ms. Rowling does not disappoint. As every preceding Potter book starts off, the newest is no different: Harry is staying with his insufferable relatives, the Dursleys. And as always, he has found a new, more creative and exciting means of shortening his summer stay with his Aunt, Uncle, and cousin. Trouble invariably manages to find Harry, even at his seemingly secure refuge. Lord Volde-- oh, goodness, excuse me!-- he-who-must-not-be-named is at his strongest, and Harry is facing greater risk than ever before. This is Harry's fourth year at Hogwarts, and he is now fourteen years old. So along with life-threatening situations, almost losing a best friend, meeting new foes, dealing with old ones- namely Professor Snape and Draco Malfoy, and managing to get most of his homework done, Potter must also deal with the anguish and misery of being a teenager. Take it from me, I'm seventeen years old, and it's hard for me to believe that J.K. Rowling hasn't just experienced the cruelty of peers and at the same time, the exciting prospects that come with the whole "Being a Teen" package. Fearing that I might give too much away, I'll leave you with this tidbit: You'll laugh, you'll cry, you'll learn how to pronounce Hermione, but most importantly, you'll want to read more, and become a better person because of it.

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