Don't Tell the Grown-Ups: The Subversive Power of Children's Literature Review

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(More customer reviews)In this excellent overview, Lurie points out the subtle ways that many classic children's authors such as Barrie, Burnett, Milne, Nesbit, and Carroll embedded social criticism within their stories. Lurie has a smooth, intelligent style, and a refreshing dry wit that sets this book apart from much literary criticism. My only complaint is that I would have preferred a bit more focus on the subversive texts themselves, rather than on the life stories of their authors; but then, I'm not too fond of biographical criticism as a whole. All in all, highly recommended.

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In sixteen spirited essays, Pulitzer Prize-winning novelist Alison Lurie, who is also one of our wittiest and most astute cultural commentators, explores the world of children's literature--from Lewis Carroll to Dr. Seuss, Mark Twain to Beatrix Potter--and shows that the best-loved children's books tend to challenge rather than uphold respectable adult values.

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Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter Review

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(More customer reviews)In this collection of essays based on speeches and lectures, the author - an admirer of Adorno - poses questions that should concern parents and teachers everywhere: Who decides what is "appropriate" literature for children? How are children introduced to this literature, and what do they make of it?
The first four chapters of the book, peppered with the somewhat off-putting jargon of literary theory, deplore the vertical integration of publishing empires, the marketing of books in association with toys, games, gadgets, T-shirts, etc., which results in "cultural homogenization" of the children. Adults decide "what's good for children" and use literature, among other tools, to manipulate and control them.
In chapters 5-9, the discussion gains momentum by using concrete examples of literature written for children. Changing attitudes toward Grimms' Fairy Tales and the "Struwwelpeter" stories of Heinrich Hoffmann have spawned multiple translations, bowdlerizations, dramatizations and parodies. The author shows how the "sexist" content of most fairy tales (the hero is almost always a male) has triggered feminist re-interpretations. Finally, there is no "authentic" version of fairy tales; all of them, including the ones collected by the Brothers Grimm, have been "contaminated", i.e. adapted and collated from multiple sources.
The final chapter on the phenomenal success of the Harry Potter books seems to be the one most American readers have focused on. It stresses the stereotypical aspects of the stories and the commercial hype that attended their release, and, again, their sexist nature - one of the author's pet peeves.
While some of these arguments seem excessively gloomy, all of them deserve our thoughtful consideration.

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