Showing posts with label fairy tales. Show all posts
Showing posts with label fairy tales. Show all posts

Cassell's Dictionary of Norse Myth & Legend (Cassell Reference) Review

Cassell's Dictionary of Norse Myth and Legend (Cassell Reference)
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I have been reading serious books about Norse mythology since the mid-1960s (I don't remember when I first encountered versions for children), and have studied the primary sources in translation, and, to a very limited (and amateurish) extent, in the original languages. This is exactly the sort of reference book / handbook I used to dream about, and which seemed to be available only as watered-down introductions for schoolchildren, or, if reasonably scholarly, in German. A recent example of the latter, by Rudolf Simek, has been translated by Angela Hall, as "Dictionary of Northern Mythology" (1993). The end of the twentieth century, has, in fact, seen several works of this sort, solidly based in scholarship, yet simple enough for those unfamiliar with the subject to enjoy. To my great pleasure, they are even being written in English.

This example is a re-set, mass-market edition of the 1997 "Cassell Dictionary...," which was published in both hardcover and trade paperback editions. The textual contents appear to be identical (I do not have a copy at hand to compare, so I am relying on memory), although, given the changes, it will be useful in the future to give references to Orchard by head-words, rather than page numbers. The original illustrations have been omitted; against this loss, the mass-market edition is in print.

The contents are extremely impressive. All of the major, and almost all of the minor, figures of Norse myth and legend from Scandinavian sources, together with other Germanic materials, and other relevant texts and archeological and other sources are catalogued and concisely described or defined. (The coverage of heroic legend is limited to the major figures, particularly those attested outside Scandinavia. Unfortunately, some of the more reliable and interesting correspondences to Migration-Age history, such as the names of the Niflung / Burgundian royal family, are slighted.)

There are cross-references to related articles - none, so far as I have noticed, leading in circles (as I have seen in too many reference works). Major critical issues are covered briefly and clearly, and with impressive objectivity (compare the discreet entry on "Beowulf," with due regard for the scholarly consensus, to the author's own views in his own 1995 book on the subject, "Pride and Prodigies...").

The difficult problem of transcribing Norse and Anglo-Saxon names, with their unfamiliar characters, has been solved by a few simple rules, clearly explained; exceptions are made for some very familiar forms, like Odin and Thor, where consistency would have called for accent marks. This will annoy purists, and perhaps those who have studied the relevant languages a little, but is far less intimidating to the uninitiated.

The articles are supplied with bibliographic references, in cryptic-looking letter-number combinations which direct the reader to numbered items in four separate bibliographies (references, primary sources, sources in translation, and studies). With something like 800 titles to deal with, this saves space, and avoids the problem of keeping track of whether or not an item appears in one or more places, and in full or short form. Although it looks confusing, I have found that the alphanumeric system makes it relatively easy to check the references. There is also an index of medieval passages and authors cited in the text.

An attractive feature is a set of appendices cataloguing such things as the names and titles of Odin, the names of Dwarfs, of Giants, and of "Troll-wives, Giantesses and Valkyries" (the last set showing so much overlap and confusion that grouping them together was probably the most practical solution). As in the articles, names are supplied with translations, if the meaning is reasonably clear.

Among recent works actually written in English, the most nearly comparable is John Lindow's "Norse Mythology: A Guide to the Gods, Heroes, Rituals, and Beliefs." It differs in offering fewer, but longer, articles, with much more extended discussions of critical issues, literary problems, and rival interpretations. It omits some of the items of in the "Dictionary," but also covers some topics which Orchard only mentions. Lindow's bibliography seems much less comprehensive, but he includes essays on both the primary sources and the secondary literature (including how to evaluate on-line offerings). I have both, and would not give up either, but Orchard clearly offers the better bargain to a novice looking for a single reference source, covering more material, with a simpler-looking approach to each item.

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The Scandanavian imagination inspires our culture in hundreds of ways, from our words for days and months to customs common in most of our holidays to popular phenomena such as Harry Potter and the Tolkien legends. The entire cast of gods and trolls, heroes and monsters, lands and beliefs, receives a comprehensive survey in more than 1,000 entries, photos, charts, and quotations. Many entries draw upon recent archaeological discoveries which shed new light on ancient rituals and peoples, in many cases providing evidence that the even the most fanciful tales turn out to contain a core of factual history.

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The Norton Anthology of Children's Literature: The Traditions in English (Slipcased Edition) Review

The Norton Anthology of Children's Literature: The Traditions in English (Slipcased Edition)
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If you teach children's literature, or think about children's literature, or have children or were once a child, this mighty compendium is for you. It offers in its rich pages a history of children's literature and an array of works, not only in extract but in more than 40 examples of complete stories, from Peter Pan to Roll of Thunder Hear my Cry. The many introductions and glosses are written with spirit and verve: Dr Seuss described as "high-spirited anarchy" or Frog and Toad as "perfect books of their kind." Alphabets and chapbooks, primers, fairy tales (including ten versions of Little Red Riding Hood, from Perrault to Francesca Lia Block), picture books, nursery rhymes, comics, fantasy and sf, school stories and more are included, from authors as hallowed as Newbery and as modern as Nikki Grimes. This kind of anthology is always dependent on what one can get permission to reprint,under that stricture its editors have done marvelously well. Online resources keyed to this title are also available. Profusely illustrated with black and white images, a section of good color plates is included.

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Fablehaven Review

Fablehaven
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This starts off as a routine fantasy footprint - two kids, Kendra and Seth, get palmed off on their grandparents for a visit that becomes a lot more than they ever dreamed. As they soon learn, Fablehaven is no ordinary country estate, but a protected area for magical creatures, and their grandfather is the current caretaker. As if that weren't enough, their grandmother has disappeared, and granddad isn't telling the truth about her whereabouts.
But here's where it really gets interesting - Brandon Mull overturns conventional thinking on fairies, and when Seth makes a terrible mistake, the retribution is swift and merciless. At Fablehaven, a giant cow gives enchanted milk that allows the fairies to be seen, naiads frolic in a lake, satyrs drop by for adult parties, and a witch sits in a shack in the forest imprisoned by magical knots.
Soon it's Midsummer Eve, one of the nights when magic reigns free, and when the children break the rules, the aftermath is chilling. As a result of their disobedience, the two children find themselves alone except for a hen, and it's up to them to rescue their grandfather, the housekeeper, and Fablehaven itself, before a powerful demon is released from his prison.
Wildly imaginative, this is a wonderful debut for Mull - may he write many more chapters, and very soon.Amanda Richards, August 29, 2006


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Danger lurks everywhere at Fablehaven, where someone has released a plague that transforms beings of light into creatures of darkness. In dire need of help, the Sorensons question where to turn, now that long trusted allies have been revealed as potential foes. Kendra embarks on a special mission that only she can attempt because of her new abilities as fairykind, while Seth stays behind and discovers an incredible new talent of his own. The siblings are put to the test as the threat grows both abroad and home at the Fablehaven preserve, and Brandon Mull spins his richest and most thrilling fantasy tale yet in this third title of the popular fantasy series.

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Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter Review

Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter
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In this collection of essays based on speeches and lectures, the author - an admirer of Adorno - poses questions that should concern parents and teachers everywhere: Who decides what is "appropriate" literature for children? How are children introduced to this literature, and what do they make of it?
The first four chapters of the book, peppered with the somewhat off-putting jargon of literary theory, deplore the vertical integration of publishing empires, the marketing of books in association with toys, games, gadgets, T-shirts, etc., which results in "cultural homogenization" of the children. Adults decide "what's good for children" and use literature, among other tools, to manipulate and control them.
In chapters 5-9, the discussion gains momentum by using concrete examples of literature written for children. Changing attitudes toward Grimms' Fairy Tales and the "Struwwelpeter" stories of Heinrich Hoffmann have spawned multiple translations, bowdlerizations, dramatizations and parodies. The author shows how the "sexist" content of most fairy tales (the hero is almost always a male) has triggered feminist re-interpretations. Finally, there is no "authentic" version of fairy tales; all of them, including the ones collected by the Brothers Grimm, have been "contaminated", i.e. adapted and collated from multiple sources.
The final chapter on the phenomenal success of the Harry Potter books seems to be the one most American readers have focused on. It stresses the stereotypical aspects of the stories and the commercial hype that attended their release, and, again, their sexist nature - one of the author's pet peeves.
While some of these arguments seem excessively gloomy, all of them deserve our thoughtful consideration.

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Boys and Girls Forever: Childrens Classics from Cinderella to Harry Potter Review

Boys and Girls Forever: Childrens Classics from Cinderella to Harry Potter
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I just finished this, and loved it, loved it, loved it! Alison Lurie, besides being a great novelist, teaches Children's Literature at Cornell. This book "deconstructs" classics such as Little Women, The Wizard of Oz, Charlotte's Web, etc, with such acute observations that it was a great joy to read. Of course the book talks about Harry Potter and the criticism it has received from certain religious circles. This is not new in children's lit: The Wizard of Oz suffered the same kind of stigma. It was interesting to read how nothing is new in the realm of religious intolerance.
One of the chapters about which i was most conflicted was the one dealing with illustrations. Lurie acknowledges that it would be disingenous to expect fairy tales without pictures. However, images steal away from the imagination development that kids would enjoy otherwise. I read a fairytale a million years ago, where the princesses wore dresses "the color of time". I vividly remember the internal debate i had in my head trying to decide what color time would be (i settled on pearl grey). Pictures would not have given me that mental gymnastics. In a sense, i believe that fantasy is like gymnastics for the mind of a little one. Reality is what you see every day. Fantasy is what you need to come to terms as you grow up. To carry on a mental fight trying to reconcile what is real and what is fiction is a valuable exercise for a developing mind. And besides, adults are always available for "reality checks".

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Harry Potter & Imagination: The Way Between Two Worlds Review

Harry Potter and Imagination: The Way Between Two Worlds
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I got to the end of the Harry Potter series and knew that this wasn't just a story about a boy wizard and his adventures. Something more was happening in these wonderfully written books. Travis Prinzi's book 'Harry Potter and Imagination' helped me to understand some of the great themes Rowling addresses.
It's a clear and thoughtful exploration of Rowling's views on evil, death, love, forgiveness, gender and race (among many other things) that make the books such a powerful contribution to our culture.
I recommend this book if you want to think more about deeply about the ideas that gripped you and why they resonated with you. Prinzi's book is a tribute to Rowling's genius in that he has used her work to provide much to think about on many different issues in literature and culture.
I learned a lot from reading it and recommend it highly.


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The Ultimate Harry Potter and Philosophy: Hogwarts for Muggles (The Blackwell Philosophy and Pop Culture Series) Review

The Ultimate Harry Potter and Philosophy: Hogwarts for Muggles (The Blackwell Philosophy and Pop Culture Series)
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I whipped through this interesting collection of essays in one day. Examining ancient and contemporary philosophy through the lens of pop culture is not a new idea, but it's one I happily snap up whenever I find it.
In any collection with many writers, there are going to be some essays that are a pleasure to read, that reference the theme well (in this case, of the written world of Harry Potter), and are coherent. There are a few of these better writers sprinkled about the book.
However, too many of the essays in this book are not thematically as on-target as I'd like. Some of the writers are densely wordy and stray a bit far away from Harry Potter and Hogwarts, instead pounding the pulpit of their particular philosophical agenda.
It's fair enough that not all philosophers are also good writers. And some readers may prefer more philosophical meat and less of the 'fun of looking at the Wizarding world' elements that I enjoy. So perhaps there is a balance in this book - something for the pop culture fans, and something for people looking more for a philosophy text.

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Tangled (Two-Disc Blu-ray/DVD Combo) (2010) Review

Tangled (Two-Disc Blu-ray/DVD Combo) (2010)
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*contains some spoilery bits*
Tangled, Disney's version of the oft-refashioned folk tale Rapunzel, is the studio's 50th animated film and one that is destined for classic status.
The Synopsis:
This latest retelling begins with a tiny piece of sunlight falling to earth and a magical golden flower sprouting where it lands. The flower, and its ability to restore youth, is discovered, used and kept secret by Mother Gothel. When the kingdom's beloved queen falls ill, a search for the flower (apparently its existence wasn't *completely* secret) is successfully undertaken and the healing potion brewed from it restores the queen's health. The flower's magical abilities are also transferred to the hair of the queen's unborn child, Rapunzel. When Mother Gothel discovers this and learns that the magical properties are only retained as long as the hair remains uncut, she kidnaps Rapunzel and raises her as her own child. Claiming that she wants to keep Rapunzel safe from a frightening world full of danger and thugs, Mother Gothel locks her away in a remote tower. While her hair (almost a character in and of itself) grows longer and longer, Rapunzel blossoms into a surprisingly well-adjusted young woman and gifted artist who longs to see the world - particularly the mysterious lights that appear in the night sky each year on her birthday.
Enter our amusing narrator, Flynn Rider, a roguish thief who has just stolen a tiara and is on the run from palace guards when he comes across Rapunzel's tower and takes refuge there. The very competent Rapunzel restrains Flynn, hides the tiara and strikes a bargain with him - she will return the tiara to him if he will agree to take her to see those mysterious lights, which he tells her are floating lanterns. Flynn agrees and the two set off on a rollicking adventure. Pursued now, not only by Maximus - a horse from the palace guard who refuses to give up the chase - but also by a pair of thugs Flynn double-crossed AND Mother Gothel, Flynn and Rapunzel learn to trust each other as they make one narrow escape from their pursuers after another.
Comments:
Tangled is a laugh-out-loud funny family film that will thoroughly entertain both children and adults. The animation is stellar, the story engaging and the pacing excellent, never dragging for a moment. Rapunzel and Flynn are both charming and likeable, making it easy for viewers to root for them. Further, they are surrounded by a terrific supporting cast including tavern thugs with secret dreams and Pascal, Rapunzel's pet chameleon. But it's Maximus who truly steals the show. The expressive horse is brave, determined, sometimes petty, and hilarious. Every scene he's in is solid gold. I would love to see some sort of sequel with Max and Flynn trading quips - particularly since Max doesn't speak at all and the two still seemed to be doing just that through much of Tangled.
I did have a couple of quibbles, neither of which significantly impacted my enjoyment of the film. First, the colors often seemed a bit too dark to me, rather grayed out. This impression may well have been exacerbated by the 3D glasses. (ETA: A couple of fellow reviewers have commented that they found the colors bright and vibrant when they viewed the film in 2D. It seems likely that my experience may have had more to do with the theater where I saw the film or with the 3D glasses - or a bit of both. This is especially important since I imagine most Amazon costumers will be purchasing this film in 2D. My thanks to Star Fire and Thomas Plotkin for their input - I really appreciate it!) Second, even though I felt they were well performed, the songs were, IMHO, largely under whelming. With the exception of the lovely "I See the Light", I felt they had neither the excitement of previous Disney showstoppers "Be Our Guest", "Under the Sea" or "I Just Can't Wait to Be King" nor the memorable melodies of "Kiss the Girl", "Beauty and the Beast" or "Circle of Life".
On the plus side, the film is rich in emotional depth and is blessed with a number of wonderful scenes. My favorite sequence begins with Rapunzel and Flynn entering the village and dancing with the villagers and continues on through their scene on the lake among the floating lanterns. Their happiness in the village, Rapunzel's sense of wonder (and ours!) while surrounded by the lanterns, the romantic song they sing as they realize they're attracted to one another and may be falling in love - it's all perfect. The lantern scene is jaw-droppingly gorgeous - well worth the price of admission on its own and the film's most effective use of 3D. Another scene that I loved for its poignancy centers on the silent communication between Rapunzel's parents as they mourn their lost daughter together just before releasing their floating lantern.
I do want to alert parents to one element. The relationship between Rapunzel and Mother Gothel is difficult and layered, dealing with emotional abuse masked with concern and declarations of love. (Mother Gothel's frequent put-downs of Rapunzel, followed by a cheery "Just kidding!" had me clenching my teeth.) Young children who are used to a more black and white portrayal of good and evil may be confused by Rapunzel's oft-declared love for the woman she believes is her mother and by Rapunzel's conflicted feelings when she first leaves the tower with Flynn. This unhealthy relationship doesn't overshadow the film, nor does it steal the humor and fun from it, but parents should be prepared for questions children might ask and concerns they might have. These questions may not come until a second or third viewing, when children have already seen the scenes where Mother Gothel more explicitly reveals her true nature and so have that knowledge when viewing the early mother/daughter scenes.
That said, I still loved the film and believe it's a great addition to Disney's animated classics. Lastly, let me just add a big "Yeah!" to the film's final moments when Flynn, back in narrator mode, reveals that it was several years before he and Rapunzel got married. A much better message for children than the more usual we-saw-each-other-twice-before-tying-the-knot which seems almost de rigueur in so many fairy tales.
Highly recommended.Note: Author, editor and fairy tale aficionado Terri Windling has written a wonderful essay about the long history of the "Maiden in a Tower" story which, it turns out, predates the Brothers Grimm by more than 200 years. I found reading about how a story evolves over time and across cultures absolutely fascinating. (Essay is available at Windling's website. A simple google search - "Rapunzel" + "Terri Windling" - should get you there.)

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Disney presents a new twist on one of the most hilarious and hair-raising tales ever told.Your whole family will get tangled up in the fun, excitement and adventure of this magical motion picture.When the kingdom's most wanted - and most charming - bandit Flynn Rider hides in a mysterious tower, the last thing he expects to find is Rapunzel, a spirited teen with an unlikely superpower - 70 feet of magical golden hair!Together, the unlikely duo sets off on a fantastic journey filled with surprising heroes, laughter and suspense.Let your hair down and get ready to cheer for "Tangled."Bursting with never-before-seen bonus features, it's even more enchanting on Blu-ray Hi-Def.

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